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“I’m a fan of it until I start singing,” he says with a quick smile, turning down the volume. But within moments, he’s distracted by a sound he wasn’t expecting. The wistful riff of quietly crushing opener “Buddy” beams through the car’s speakers. It’s also one of the best rock records you’ll hear all year, preconceived notions of its creator be damned.Īs we turn onto a street deep in North Hollywood, Heidecker hits play on High School and starts breaking down the album’s production process. The end product is Heidecker’s best album yet, a culmination of everything he’s been building to the past six years. It’s all highly specific, but it radiates a natural, relatable warmth. Lyrically, it draws on teenage ennui and could’ve-been romances, falling in love with music and losing friends to drugs.
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It’s a breezy, straight-ahead rocker featuring indie cool kids Mac DeMarco and Kurt Vile and packed with Linn drum machine rhythms and scorching guitar solos. Where In Glendale and 2020’s Fear of Death often explored a theatrical, Randy Newman–style of singer-songwriter rock, High School goes smaller and more modern. “I can play music that I’m excited to play for people that people now seem to enjoy.”īefore he can begin the tour, however, he has to get through the release of High School, a new album that mines his youth to grapple with his present. “I can take that jacket off, put on a different shirt, and I am me, I am myself,” he says en route to a fitting for an upcoming role. Even if it’s still a slight shock to think of the Us scene-stealer alternating between those two modes, it’s starting to feel more comfortable: “I could’ve done that show 10 times in a row, both of them.” No More Bullshit was relegated to opening for Tim Heidecker and His Very Good Band’s nine-song set. “It’s a big jump,” Heidecker concedes.Īs we drive through Los Angeles’s San Fernando Valley in his black Tesla Model 3 on a recent sunny June afternoon, he gushes about a pair of recent test dates in New York that he says scratched every creative itch: Mr. In fact, aside from a quick five-show West Coast run around In Glendale, he’s never toured his music. But Tim the Musician-the authentic Tim, to hear him tell it-still feels fresh. He’s taken the No More Bullshit character on the road for years, and due to the rules and provocations that come with him, those performances can be taxing-both on Heidecker and the audience.
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He’s prepping for the aptly named Two Tims Tour, a 26-city run that will put both Heideckers on full display on the same night for the first time.
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Heidecker has been thinking a lot lately about how to Frankenstein together these versions of himself. Unless you count the absence of a bit as being a bit itself.
This version inspires words like “sincere” and “earnest.” With every passing year, his existence feels like less of a bit. It’s the Heidecker that made its proper debut on the 2016 album In Glendale and returns on Friday with the excellent new LP High School.
This Heidecker plays guitar and sings songs like “Fear of Death” and “Property”-ones so preoccupied with mortality that they’re impossible to read as ironic. The second Tim Heidecker you’ll meet is altogether different. An unwelcome guest, perhaps, but not a stranger.
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This Heidecker evokes words like “absurd” and tortured phrases like “anti-comedy.” If you’re familiar with the surreal humor of Heidecker’s landmark sketch series Tim and Eric Awesome Show, Great Job!, this man won’t feel like a stranger. That’s the one he calls his No More Bullshit character, a failed Bill Hicks wannabe who’s as clumsy with his mic as he is his punch lines. It’s the Heidecker you meet in his stand-up: a nasty, ignorant man who stomps across the stage in a green button-down, black leather jacket, and pants that can’t quite fit over his waistline. You’re probably familiar with the first-the broad strokes, if not the exact details. The idea is that you’ll meet two Tim Heideckers, and that even though they share the same name and the same face, only one is the real version.
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